www.puretajweed.org

Pure Tajweed Topics

1.  Recitation with Tajweed

2.  Errors in recitation

3. Major errors

4.  Minor errors

5.  Origin of letters

6.  Letters with opposites

7.  Letters without opposites

8.  Full-mouth letters

9.  Echo letters

10.  The letter Laam

11.  The letter Raa

12.  Elongation

13.  Original Madd

14.  Temporary Madd

15.  Detached Madd

16.  Joined Madd

17.  Madd Laazim – Tashdeed

18.  Madd Laazim – Huroof al-Muqatta’aat

19.  The nasal sound

20.  Full Ghunna Meem and Noon Mushaddad

21.  Full Ghunna Iqlaab –
Noon-Saakin and Tanween

22.  Full Ghunna Idghaam

23.  Light Ghunna

24.  No Ghunna

25.  Rules of stopping

26.  Links and references

Temporary Madd (Madd Al-Aa’rid) is a secondary Madd (Madd Far’ee), which results from Sukoon. In other words, if a temporary Sukoon appears on a word that comes after a Madd letter, and you stop reciting, the letter needs to be elongated two to six Harakat (two to six seconds). However, if you do not pause on the letter, the temporary Madd becomes original Madd (Madd Asli), also known asnatural Madd (Madd Al-Tabee’ee), and you recite as normal. Examples are given below:

 ٱلْمُسْتَقِيمَ, يُرِيدُ , ٱلْعِقَابِ , ٱلْمُؤْمِنِينَ ٱلَّذِينَ ,  أَصْحَـٰبُ ٱلْمَشْـَٔمَةِ